Themusicnetwork.com
The Others Way, one of the most celebrated independent music festivals in New Zealand, has officially come to an end after organizers confirmed the event will not return in 2026 or future years.
The announcement was shared by Festival Director Reuben Bonner, who cited ongoing financial challenges, rising operational costs and instability across the live entertainment industry as the primary reasons behind the decision.
Since launching in 2015, The Others Way became a cornerstone of Aotearoa’s independent music scene, known for transforming Auckland’s Karangahape Road, commonly referred to as K’ Road, into a multi-venue celebration of emerging artists, underground music and creative culture. Over the past decade, the festival developed a reputation as both a discovery platform and a gathering point for the country’s independent music community.
In a statement addressing the closure, Bonner reflected on the festival’s grassroots origins and the strong sense of community surrounding the event. He described The Others Way as a passion-driven project built by music fans and creatives who helped shape its identity over the years.
Organizers at Banished Music explained that maintaining the festival had become increasingly difficult amid mounting economic pressure affecting the wider live music industry. According to the group, escalating production expenses, uncertainty surrounding sponsorships and funding and reduced consumer spending on live events all contributed to the festival’s inability to continue sustainably.
Bonner also acknowledged the emotional and financial strain involved in operating an independent boutique festival in the current climate, particularly within New Zealand’s smaller live music market. Despite efforts to secure additional funding partners and rethink the festival’s long-term structure, organizers said they were unable to find a financially viable path forward without compromising the event’s standards or risking further debt.
The closure of The Others Way reflects broader struggles facing independent festivals internationally, as rising touring costs, inflation and shifting audience spending habits continue placing pressure on live music organizers.
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