The Caribbean urban scene is getting a major injection of nostalgia and power as Dominican star La Gabi joins the global roster of ONErpm. The move comes as the artist unveils her dynamic new single, “Al Otro Día,” a track that consciously channels the bold spirit of early-2000s hip-hop and R&B, citing influences like Missy Elliott and Beyoncé.
This new partnership is designed to amplify La Gabi’s vision for global impact, following a rapid ascent built on authenticity and an empowering message.
From Viral Roots to Global Stages
La Gabi’s career trajectory is anything but conventional. She first captured the industry’s attention not through traditional channels, but by sharing viral reinterpretations of music on social media. Her raw talent quickly impressed global superstar J Balvin, who made the unprecedented move of signing her as the inaugural artist on his Ma G Nation label.
Now, La Gabi is trading viral buzz for global scaling. She arrives at ONErpm with a massive amount of live experience, having energized audiences of over 45,000 people at festivals like Flow Fest CDMX, Sueños, and Vibra Urbana. Her stage presence was also recently showcased when she opened for urban powerhouse El Alfa at the Estadio Olímpico.
The Power of “Hembrismo”
The new single, a collaboration with Shadow Blow, is a taste of her forthcoming 2026 album. While “Al Otro Día” captures the emotional complexity of an addictive, cyclical relationship, it underscores La Gabi’s commitment to fierce female narratives. This commitment is best embodied by her involvement in “Hembrismo,” the disruptive collaborative project focused on empowering women in the urban genre.
La Gabi’s readiness for global growth is validated by extensive accolades. She was named a Spotify RADAR Artist for the region, recognized by Billboard and POPSUGAR as an artist to watch, and received nominations from Premios Lo Nuestro, Premios Heat, and Premios Juventud. The ONErpm deal will now leverage technology and worldwide marketing to cement her status as a definitive voice in the future of Latin music.
About the Author
