Trailblazer Steps Down
On September 22, Sylvia Rhone, an executive who held senior positions at all three major record companies and the first Black woman to become CEO of a major record label, confirmed that she would be stepping down as the CEO and chairwoman of Epic Records.
Final Statement
In a note to Sony Music staffers, Rhone stated, “It’s been an extraordinary journey: eleven years since my promotion to President of Epic Records and six years since my appointment as Chairwoman and CEO. […] Looking back on my Epic era fills me with great pride. To my team of creative champions, you now hold the reins, and I know your best work lies ahead.”
Recapping Her Legacy
Under Rhone, Epic Records saw success in numerous #1 Billboard hits from artists like 21 Savage, Future, Tyla, and more. Earlier in her 40-year-long career, she had worked with labels overseeing the rise of artists like Missy Elliott, Metallica, Tracy Chapman, ACDC, Third Eye Blind, Natalie Merchant, Busta Rhymes, and more. Since her historic appointment to Warner Records’ Elektra label in 1994 as CEO, she has received numerous awards for her work, including from Billboard, Hollywood Reporter, and Entertainment Weekly. Sony Music Group chairman Rob Stringer wished the executive farewell in his own letter, stating, “Today, I want to take a moment to reflect on the extraordinary career of Sylvia Rhone. In an industry defined by its constant evolution, Sylvia has adapted and embraced change, time and time again. Her journey is more than just a list of accomplishments. She is a trailblazing executive with a distinguished background and unwavering commitment to supporting artists.”
Closing Words
Rhone concluded her statement by saying, “[…] I’ve discovered this: when we channel our strength and creativity in service of a vision, and collaborate with artists who do the same, we create music that reflects our world, questions our assumptions, and uplifts our spirits. This is a kind of magic, a deeply human connection. Right now, when music’s DNA is being reimagined, when artists face existential challenges, and when all of us are building the future in real time, there is little that is more profound.”
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