Silvestre Dangond sold out both his Bogota shows! Credit to 11:11 PR.
Los Angeles, California (July 14, 2025)- Silvestre Dangond, the global vallenato icon, and his legendary accordionist Juancho De La Espriella have set a historic precedent for the genre by completely selling out the first three stadium dates of their “El Último Baile Tour 2025” in Colombia. Announced with emotion and pride through the artists’ official platforms and two heartfelt videos, the phrase “We’re complete! No seats left!” rang out like a rallying cry across social media, igniting even more excitement among fans. The sold-out performances on August 29 and 30 at El Campín Stadium in Bogotá and September 20 at the Metropolitano Stadium in Barranquilla will gather more than 120,000 attendees combined — a record-breaking achievement for any vallenato act and a clear message that the genre is stronger than ever.
This momentous success signifies more than just high ticket sales; it marks a cultural breakthrough. Vallenato, a genre rooted in Colombian folklore and known for its emotional storytelling and distinctive accordion sounds, is now taking over venues traditionally reserved for pop, rock, and reggaeton. Silvestre Dangond and Juancho De La Espriella’s ability to command these stages speaks volumes about the genre’s evolving reach and the power of “silvestrismo,” the fierce loyalty and passion of Dangond’s fanbase. “We dreamed it, we worked for it, and today we celebrate that vallenato music is capable of filling venues — our silvestrismo from the soul,” Silvestre shared in celebration.
“El Último Baile Tour 2025” isn’t a farewell — it’s a grand tribute to a musical legacy still in full bloom. Following the Bogotá and Barranquilla triumphs, anticipation is now building for the tour’s next stops. Cities across Colombia — from Bucaramanga to Santa Marta — will have the chance to experience this explosive live show. The next wave of excitement begins with ticket sales for Medellín opening on July 14, with a Falabella pre-sale on Wednesday and general sales on Friday, July 18.
The full Colombian tour schedule includes:
- August 29 and 30 – Bogotá, El Campín Stadium (Sold Out)
- September 13 – Bucaramanga, Américo Montanini Stadium
- September 20 – Barranquilla, Romelio Martínez Stadium (Sold Out)
- September 27 – Cúcuta
- October 4 – Medellín
- October 11 – Cartagena
- October 18 – Cali
- November 1 – Ibagué
- November 22 – Pereira
- December 6 – Villavicencio
- December 20 – Riohacha
- January 3, 2026 – Santa Marta
- January 17, 2026 – Sincelejo
All shows are produced by Diomar García Eventos and Stage Eventos. Tickets are available at [TUBOLETA], and fans are encouraged to register early to secure their spot in what is shaping up to be the most successful tour in vallenato history.
Beyond Colombia, Silvestre Dangond has also taken Europe by storm. On July 12, he sold out the iconic Movistar Arena in Madrid, delivering a euphoric performance before thousands of fans. The night was a celebration of Latin identity, marked by Dangond’s electrifying presence, heartfelt vocals, and a setlist that spanned the hits of his career. “I dreamed it so many times… and today it’s real. WE’RE COMPLETE MADRID! Thank you for making me feel at home,” he said, visibly moved by the crowd’s energy.
This European leg — including stops in London, Milan, Barcelona, Galicia, and Paris — highlights Dangond’s growing international footprint. With over a dozen albums, three Latin GRAMMYs, and collaborations with global artists like Nicky Jam, Maluma, Carin León, Carlos Vives, and Natti Natasha, he continues to elevate vallenato to new heights. His ability to pack arenas from Colombia to Spain confirms not just his star power, but the global appeal of the music he represents.
“El Último Baile” is more than a tour — it’s a movement, a revival, and a love letter to a genre that refuses to be confined. Silvestre Dangond and Juancho De La Espriella are not saying goodbye. They’re inviting the world to dance, to sing, and to celebrate the soul of Colombia. And as they continue to break records and cross borders, one thing is clear: vallenato is not just surviving — it’s thriving.
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